Work produced for the Society of Creative Anachronism, or as a result of my involvement in it.
Another panache Scroll
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This scroll was inspired by the Spinoza Hours, which include pages where the border is one picture surrounding another. I knew the recipient was very keen on Venice, so gave the pictures a Venetian setting.
Because of changes in my personal life, involving a much higher workload in my job, 2024 has not been an especially productive year in terms of SCA scrolls. In fact, I have only produced three award scrolls, though I have tried to ensure quality compensates for a lack of quantity. Pelican Scroll for Gele Pechplumen. Shortly before I was invited to do this scroll, the recipient had posted the image shown to the left, from a famous calligraphy exemplar book called "Mira Calligraphiae". The creature is believed to be a sloth, though it looks nothing like one! Knowing she liked the image, I decided to base my scroll for her on it. Clearly, the sloth would not do... the award was for the Order of the Pelican, so I attempted to paint the order's symbol, the pelican feeding its chicks from its own blood, in a similar style. The original would have been painted on dyed black parchment. I was unable to find or create a suitable equivalent, and so the painting...
This scroll was commissioned at the beginning of 2020. You can guess the rest. By the time I had completed it, it was apparent it wasn't going to be presented any time soon, so I finished it without adding the date, which I was finally able to add a month ago, and the scroll was presented yesterday. So far my record for the longest delay between my doing a scroll and it being presented, but I have another one still awaiting presentation which will beat that record!
Laurel for Marlein Eberlein. This was a scroll I had promised to do for the recipient as and when she became a Laurel (recognised master in the field of Arts and Sciences in the SCA). That finally happened this year. It was inspired by 16th century "Citizen Portraits"... that is, portraits commissioned by well-to-do bourgeois, something that really only began to happen in this period. Previously portraiture had mostly been the monopoly of royalty or nobility. Such portraits often (though far from universally) feature the sitter's accomplishments or source of their wealth, and because the sitter will not be armigerous, any heraldry will be typically that of their trade guild. In this case I featured the clothes Marlein has made (being worn by her), a sprang hairnet and some pottery, three arts in which she has distinguished herself. As she often sells her produce, I have put her at a trade counter, implying a successful merchant. I used the symbol of the Lau...
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