Work produced for the Society of Creative Anachronism, or as a result of my involvement in it.
Another panache Scroll
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This scroll was inspired by the Spinoza Hours, which include pages where the border is one picture surrounding another. I knew the recipient was very keen on Venice, so gave the pictures a Venetian setting.
This scroll was commissioned at the beginning of 2020. You can guess the rest. By the time I had completed it, it was apparent it wasn't going to be presented any time soon, so I finished it without adding the date, which I was finally able to add a month ago, and the scroll was presented yesterday. So far my record for the longest delay between my doing a scroll and it being presented, but I have another one still awaiting presentation which will beat that record!
Feasting at the SCA is an important part of the experience, and we try to do it in a reasonably authentic way, using cutlery, crockery and other table-ware appropriate to the period. Thus the "Feast Box" is an important part of anybody's kit, a means of conveying all the necessaries for participating in a feast. Such boxes need to be identifiable as there are many participants at a feast, so Mary encouraged me to paint my coat of arms on mine (such personal heraldry as an important part of SCA culture). I did, and went a bit overboard. As I entered the box in an "Arts and Sciences" competition, I included the following documentation. Painted Feast Box Richard of Salesberie 15 th Century “Cassoni”. This project was never intended to be a re-creation of an authentic-looking Period artefact, but rather to decorate a functional item that I use at SCA events in a manner that recalls elements of period design. The box its...
Laurel for Marlein Eberlein. This was a scroll I had promised to do for the recipient as and when she became a Laurel (recognised master in the field of Arts and Sciences in the SCA). That finally happened this year. It was inspired by 16th century "Citizen Portraits"... that is, portraits commissioned by well-to-do bourgeois, something that really only began to happen in this period. Previously portraiture had mostly been the monopoly of royalty or nobility. Such portraits often (though far from universally) feature the sitter's accomplishments or source of their wealth, and because the sitter will not be armigerous, any heraldry will be typically that of their trade guild. In this case I featured the clothes Marlein has made (being worn by her), a sprang hairnet and some pottery, three arts in which she has distinguished herself. As she often sells her produce, I have put her at a trade counter, implying a successful merchant. I used the symbol of the Lau...
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