Two Peerage Scrolls

The above scroll was inspired by the Sforza Hours, and is one of my favourite scrolls (as is the one below, which was produced at about the same time in a very different style). I documented it for presentation at the event, and the documentation is included below:















The above scroll was displayed in an A&S display at the event so I accompanied it with the notes below:





 



Comments

Post a Comment

Popular posts from this blog

A long-awaited Laurel Scroll

Image
 This scroll was commissioned at the beginning of 2020.  You can guess the rest.  By the time I had completed it, it was apparent it wasn't going to be presented any time soon, so I finished it without adding the date, which I was finally able to add a month ago, and the scroll was presented yesterday.  So far my record for the longest delay between my doing a scroll and it being presented, but I have another one still awaiting presentation which will beat that record!
Read more

Winter Poem for Yule Ball

 The Bardic Challenge for Yule Ball 2021 was to produce a piece of work on the theme of "Winter".  I looked for inspiration to the traditional symbols for each month, as used in calendars from Books of Hours and some wall paintings, and used those for the three winter months, namely: December: Killing the Pig January: Feasting indoors February: Sitting by the fire. When I came to perform my poem, the sheets of paper on which it was written had disappeared!  I was invited instead to record a performance of it, which is this:
Read more

Scrolls in 2023

Image
Laurel for Marlein Eberlein.  This was a scroll I had promised to do for the recipient as and when she became a Laurel (recognised master in the field of Arts and Sciences in the SCA). That finally happened this year. It was inspired by 16th century "Citizen Portraits"... that is, portraits commissioned by well-to-do bourgeois, something that really only began to happen in this period.  Previously portraiture had mostly been the monopoly of royalty or nobility.  Such portraits often (though far from universally) feature the sitter's accomplishments or source of their wealth, and because the sitter will not be armigerous, any heraldry will be typically that of their trade guild.  In this case I featured the clothes Marlein has made (being worn by her), a sprang hairnet and some pottery, three arts in which she has distinguished herself.  As she often sells her produce, I have put her at a trade counter, implying a successful merchant. I used the symbol of the Lau...
Read more