The Benedictional of Aethelwold

 For Christmas 2018, Mary gave me a facsimile copy of "The Benedictional of Aethelwold" and not long after we got to see the real thing at a British Museum exhibition of Saxon illuminated manuscripts.  I found that exhibition incredibly moving, and wanted to produce some work in late Saxon style.  I did one as a blank and later used it for an award for Duncan Kerr (which is why the lettering looks as though it has not been designed for the piece... it wasn't!).  I did another for Valda, who has a Viking Persona... it's the sort of book Vikings might have looted, after all!  (In fact, being in a style still in fashion in the reign of Cnut, it is as much Danish as English).




Comments

Post a Comment

Popular posts from this blog

A long-awaited Laurel Scroll

Image
 This scroll was commissioned at the beginning of 2020.  You can guess the rest.  By the time I had completed it, it was apparent it wasn't going to be presented any time soon, so I finished it without adding the date, which I was finally able to add a month ago, and the scroll was presented yesterday.  So far my record for the longest delay between my doing a scroll and it being presented, but I have another one still awaiting presentation which will beat that record!
Read more

Winter Poem for Yule Ball

 The Bardic Challenge for Yule Ball 2021 was to produce a piece of work on the theme of "Winter".  I looked for inspiration to the traditional symbols for each month, as used in calendars from Books of Hours and some wall paintings, and used those for the three winter months, namely: December: Killing the Pig January: Feasting indoors February: Sitting by the fire. When I came to perform my poem, the sheets of paper on which it was written had disappeared!  I was invited instead to record a performance of it, which is this:
Read more

Scrolls in 2023

Image
Laurel for Marlein Eberlein.  This was a scroll I had promised to do for the recipient as and when she became a Laurel (recognised master in the field of Arts and Sciences in the SCA). That finally happened this year. It was inspired by 16th century "Citizen Portraits"... that is, portraits commissioned by well-to-do bourgeois, something that really only began to happen in this period.  Previously portraiture had mostly been the monopoly of royalty or nobility.  Such portraits often (though far from universally) feature the sitter's accomplishments or source of their wealth, and because the sitter will not be armigerous, any heraldry will be typically that of their trade guild.  In this case I featured the clothes Marlein has made (being worn by her), a sprang hairnet and some pottery, three arts in which she has distinguished herself.  As she often sells her produce, I have put her at a trade counter, implying a successful merchant. I used the symbol of the Lau...
Read more